Cyrillic and Latin in one layout: how to make bilingual typesetting feel unified
Signs, packaging and websites increasingly speak in two scripts. Here’s how to choose a font and build a hierarchy so the layout holds together.
Signs, packaging and websites increasingly speak in two scripts. Here’s how to choose a font and build a hierarchy so the layout holds together.
A bilingual layout is two lines that should sound like one. The main rule: one font for both scripts. Mixing different typefaces for Cyrillic and Latin only makes sense as a deliberate accent.
Look for fonts tagged both “Cyrillic” and “Latin 2021” in the catalog. Test long words: Kazakh in Latin often runs longer than in Cyrillic because of diacritics and letter combinations.
Build the layout in two versions — Cyrillic on top and Latin on top — and look at it from a distance. A unified layout reads as a single block, not as two separate texts.
Every font in the catalog is file-checked.
A headline with character and a calm text face — a classic. We picked pairings where both fonts fully support Kazakh Cyrillic and the 2021 Latin alphabet.
A font “with Cyrillic” doesn’t necessarily mean “with Kazakh”. Here are the letters that go missing most often — and how to check a font in a minute.
Neutral, legible and free: sans serifs that can handle a government service, a mobile app and a long data table alike.